The shape of the Salone to come
ph. Luca Privitera
Reportage by Elledecor.it for the Salone del Mobile.Milano. Reflections from the sidelines on the 60th edition of the world’s most important design fair
The City That Rises is an oil painting from 1910 by Umberto Boccioni. It depicts an industrious Milan (under construction) seen from the balcony of his house. The work is a celebration of the industrial growth of the Milanese suburbs. In the background rises a building nearing completion, surrounded by scaffolding, with the construction site, set within a lively and dynamic urban vision, telling us a great deal about the exaltation of technology and the new, the principal hallmarks of Futurist painting.
ph. Luca Privitera
That eulogy of human labor (with modernity in a broad sense) has inspired Luca Privitera's photographic reportage. It presents shots of the exhibits being set up in the pavilions of the fair accompanying the reflections by which elledecor.it is launching its Live Special on the Salone del Mobile 2022 online on its digital platform (Instagram, Facebook, Pinterest, TikTok). Yes, because a few days after the official opening of what is universally recognized as the world’s most important design fair, preparations are underway in Rho to hoist in record time the parallel (and super analogical) city that from 7 to 12 June will stage the homes and furnishings of the years to come.
ph. Luca Privitera
A cyclopean operation, returning to its original formula after a special, experimental edition, which broke the ice last September after the enforced stoppage caused by the global pandemic that immobilized the world in 2020. Expectations, as always, are running high. The reference here is not just to the special birthday (the 60 editions of the Salone) or the numbers (however important and we will count them at the end), but rather the contents. The question is: what kind of spaces will we live in and how will we furnish them? In the light of the renewed centrality of the theme of the home, and the acceleration triggered by the Covid-19 pandemic towards changes already underway, what part will design and objects play in our lives? How will we relate to them? How will they make spaces livable and habitable?
ph. Luca Privitera
I get the impression that something changed after everyone spent more time than expected in homes that have become increasingly ultra-domestic, incorporating functions not previously contemplated in the domestic landscape. The gaze of each of us, in those long weeks, inevitably rested on every single piece of furniture in the home – which perhaps we moved several times – assessing its functionality (or performance?), its usefulness and, last but not least, its beauty.
ph. Luca Privitera
The word flexibility comes to mind, a need that has long manifested itself in interiors, together with the different lifestyles that have become established in recent years: from changes to families to an increase in cohabiting, without neglecting the impact of digital technologies and immaterial connections, which have introduced a further reason for obsolescence into our homes, unless they are properly accessorized.
