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Venezia is a table designed by Ettore Sottsass for the house he shared with his life companion, Barbara Radice.

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

A surreal interpretation of the famous bird, Flamingo is a surprising piece that clearly expresses the spirit of Memphis.

King’s is a floor lamp in yellow coated metal with a circular glass diffuser, designed by Ettore Sottsass in 1982.

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t

Roma, with its massive, solid and chunky form, designed by Marco Zanini in 1986, is an armchair in reinforced fiberglass and polyester with an iridescent finish, available in green or silver.

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

Cucumber is an eccentric ceramic vase designed by Martine Bedin in 1985.

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

A wall lamp in wood covered with decorative laminate and designed by Martine Bedin in 1981, Negresco is composed of layers of different materials that alternate the colors pink, yellow, pistachio g

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

The absolute Memphis masterpiece, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irr

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.

Created in lacquered wood by George J.