Marius&Marius

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

arflex, to celebrate the great 52-years success of Marenco model, thought to “move it outside”.

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

Taboga armchair was designed by Cini Boeri in 1976.  

Thanks to its comfort, Taboga is also realized as outdoor furniture.

The simple image makes the sofa reassuring in its contemporaneity; Leenus is a modular seating system, that allows the adjustment to countless furnishing spaces.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Papillon applique lamp plays with transparencies, colours and geometric shapes.