Super Roy Sofa

The idea for the Antelope sofa was inspired by Antelope Canyon, which was formed by the wind and rain eroding the sandstone thousands of years ago.

Small enveloping armchair with a metal base, upholstered with fabric or leather from our collection.

An enveloping, padded chair with an incorporated seat and back, supported by a chrome-plated metal trestle.

Asymmetric armchair with one arm on either side, or with two arms. Headrest in rigid quilted Alcantara with upholstered cylinder for maxim um comfort is standard.

This sofa features an extraordinarily comfortable high backrest created by a metal frame that encompasses the sides, back and base of the sofa.

This chair exudes grand formal elegance. The metal base seamlessly joins the padded part, lending a sturdy, compact look to the entire chair.

Table made out of thick wood in colours and finishings from our collection produced in different sizes.

The Giorgio sideboard is a complementary companion for the table. An understated sideboard with clean lines that gradually reveals itself when explored.

The base of the Table is in chrome-plated metal and the top is made of round and rectangular wood.

Two-or three-seater linear upholstered sofa and compositions with footrest at the right and left ends, and supple, fluent shapes.

A well-rounded collection: an oval-shaped armrest forms the genesis for the backrest. The soft, eye-catching lines are welcoming and comfortable with an incredibly cosy yet creative look.

Steel frames padded with resilient polyurethane foam. Overlapping curved backs which provide two different seating depths for better comfort.

With its soft petal-shaped back, this armchair is reminiscent of a flower. Each armchair is unique as it is crafted by hand.

A sofa with a simple, essential look that conceals a rebellious spirit.

Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introf lexed areas with other rotundly expanding spaces.

Design by Studio Ervas Basilico Girardi

Quentin is designed freestyle. Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introflexed areas with other rotundly expanding spaces.