Bel Air

Casablanca, designed in 1981 by Ettore Sottsass is a hybrid between a wardrobe and a bookcase, made in wood and decorative laminate with an unusual form.

Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t

Designed by Ettore Sottsass in 1984, Mimosa is a low wooden table faced in decorative laminate, where colored blocks intersect in a perpendicular arrangement to form a “giant” colored cubical playt

The quality of the craftsmanship, together with the bright colors and extravagant forms, are the distinctive features of Arizona, designed by Nathalie du Pasquier in 1983.

Who says the legs of a table have to all be equal? Certainly not Peter Shire, who created Brazil in 1981, in the early days of the Memphis group.

A bookcase in wood faced with decorative laminate, designed by Ettore Sottsass in 1981, Suvretta has unique shelves, because the angles of all the rows are different.

Bay, designed by Ettore Sottsass in 1983, concretely sums up the Memphis philosophy: it is bold, iconic and elegant.

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Created in lacquered wood by George J.

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

Carefully crafted in lacquered wood, faced in decorative laminate with chromium-plated metal parts, Ginza, designed by Masanori Umeda in 1982, is a multifunctional object that can be used as a book

Designed by Ettore Sottsass in 1981, Ashoka is a table lamp with a heat-coated metal structure, featuring a bold combination of bright colors: green, yellow, blue, pink, combined with white.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

The absolute Memphis icon, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irreverent