Carrot

Casablanca, designed in 1981 by Ettore Sottsass is a hybrid between a wardrobe and a bookcase, made in wood and decorative laminate with an unusual form.

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

With a yellow dominant and contrasting colors, the Cavalieri lamp designed in 1981 by Ettore Sottsass stands out for its emphatic image based on the stacking of simple geometric forms. 

Cucumber is an eccentric ceramic vase designed by Martine Bedin in 1985.

Designed by Ettore Sottsass in 1981, Ashoka is a table lamp with a heat-coated metal structure, featuring a bold combination of bright colors: green, yellow, blue, pink, combined with white.

Invented in 1982 by Peter Shire, Bel Air has an asymmetrical profile and vibrant color combinations.

Created by Michele De Lucchi in 1981, at the time of the first exhibition of the Memphis group, Riviera is a chair that surprises us with its playful form: its base is composed of two blue crossed

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

A project by Michele De Lucchi for Memphis in 1984, the small table Polar reflects the distinctive features of Memphis design.

Carefully crafted in lacquered wood, faced in decorative laminate with chromium-plated metal parts, Ginza, designed by Masanori Umeda in 1982, is a multifunctional object that can be used as a book

Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t

A tame sea monster, or a set of fishing rods that intersect with colorful geometric forms, Oceanic has undoubtedly been created to light unconventional interiors.

Created in lacquered wood by George J.