Jules & Jim

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

Imagine a sofa, that sums up the perfect fusion of comfort, welcome and softness, while maintaining a linear and elegant design.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Boborelax nasce dalla costola di Bobo e costituisce con questo, un’insolita e curiosa famiglia di arredi essenziali, un esempio di design puro, senza etichetta e senza aggettivi.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.