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Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

“With its strong, graphic presence and clear material choices, the Delta Vienna lounge chair offers a new interpretation in the spirit of Modernist design icons and creates a powerful counterpoint

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

Taboga armchair was designed by Cini Boeri in 1976.  

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

arflex, to celebrate the great 52-years success of Marenco model, thought to “move it outside”.

Boborelax nasce dalla costola di Bobo e costituisce con questo, un’insolita e curiosa famiglia di arredi essenziali, un esempio di design puro, senza etichetta e senza aggettivi.

Bobo, designed by Cini Boeri in 1967, is one of the first examples of a single-block bench.

Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique