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Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Generous proportions and a friendly, soft, but still very architectural geometry defines the Tokio sofa collection.

Arflex brings back Marius&Marius, the iconic sofa designed by Mario Marenco in the 1970s, symbol of an era when Italian design knew how to combine comfort, irony and originality.

Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.

Strips sofa-bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added. 

Papillon applique lamp plays with transparencies, colours and geometric shapes.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.