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Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Arflex brings back Marius&Marius, the iconic sofa designed by Mario Marenco in the 1970s, symbol of an era when Italian design knew how to combine comfort, irony and originality.

The collection is composed by small tables, available with circular or square tops, with a sturdy steel base contrasted with a soft rounded table edge, and by two service small tables, defined by t

Bobo, designed by Cini Boeri in 1967, is one of the first examples of a single-block bench.

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.

Strips sofa-bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added. 

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

Imagine a sofa, that sums up the perfect fusion of comfort, welcome and softness, while maintaining a linear and elegant design.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.