Archetype-A

The Puccio collection started life based on milking stools, perfectly designless and designer-free seating which, thanks to its functionality, has survived unchanged through the centuries. 

Harry’s is a collection naturally suited to the outdoors.

Cristina Celestino designs a lounge collection with soft and harmonious shapes. The rounded volumes are lightened by the worked wood base, Billiani’s stylistic code.

A solid and reassuring chair with a back that embraces, ending with two decisive cuts inspired by the points of a star. 

For the unprecedented combination of wood and leather, Marimba is a novelty in the Billiani collection.

Cristina Celestino’s soft and enveloping touch exalts Billiani’s materials and know-how with pure colours, corners that turn into delicate curves, and bulbous leg-ends. Variously sized

 Soft lines and simple geometry describe the contours of the Veretta chair, characterized by the feature ring in curved solid beechwood that surrounds the seat and houses the backrest.

Frisée is a collection that combines the solidity of wood with an ironic and joyful frivolity.

Billiani opened up to the world of upholstery with a rich collection that includes side, arm and lounge chairs, barstool, sofa, pouf, bench and table.

Timènt is Billiani's first fabric collection.

Amongst Vincent van Gogh’s various paintings, there are a number that feature chairs.

The wooden Doll chair, Emilio Nanni’s first commissioned design for Billiani, expresses essentiality with grace and softness.

The Edelweiss collection of chairs, stools and lounge chairs is the result of Philippe Bestenheider’s desire to come to terms with wood.

Fratina is inspired by those classic chairs with rush seats.

In the Fleuron chair and lounge chair by Constance Guisset the rationality of the design, based on the idea of a buttress that reinforces a wall, meets the softness of a curved line.