VERETTA

Flow is a short compendium of the history of the chair – a perfect combination of Italian tradition and the Scandinavian aesthetic of the 1950s and 1960s.

The Edelweiss collection of chairs, stools and lounge chairs is the result of Philippe Bestenheider’s desire to come to terms with wood.

The Cristina Celestino designed Raquette collection pays homage to the ancient technique of intertwining wooden slats.

The wooden Doll chair, Emilio Nanni’s first commissioned design for Billiani, expresses essentiality with grace and softness.

The Puccio collection started life based on milking stools, perfectly designless and designer-free seating which, thanks to its functionality, has survived unchanged through the centuries. 

Frisée is a collection that combines the solidity of wood with an ironic and joyful frivolity.

The Corolla tables maintain the soft and harmonious lines of the main Corolla seating collection.

Fratina is inspired by those classic chairs with rush seats.

For the unprecedented combination of wood and leather, Marimba is a novelty in the Billiani collection.

Archetype-A is a wooden chair designed by Mario Alessiani that celebrates the company’s origins and know-how. The design is as simple as possible. Nothing more than four legs, a seat and a back.

Harry’s is a collection naturally suited to the outdoors.

Cristina Celestino’s soft and enveloping touch exalts Billiani’s materials and know-how with pure colours, corners that turn into delicate curves, and bulbous leg-ends. Variously sized

In the Fleuron chair and lounge chair by Constance Guisset the rationality of the design, based on the idea of a buttress that reinforces a wall, meets the softness of a curved line.

Amongst Vincent van Gogh’s various paintings, there are a number that feature chairs.

A solid and reassuring chair with a back that embraces, ending with two decisive cuts inspired by the points of a star.