FRISÉE

Cristina Celestino designs a lounge collection with soft and harmonious shapes. The rounded volumes are lightened by the worked wood base, Billiani’s stylistic code.

The Corolla tables maintain the soft and harmonious lines of the main Corolla seating collection.

Spy is an extensive and complete collection of chairs, lounge chairs, armchairs, tables and coffee tables. Its leitmotif is the design of the leg, which tapers and is slightly splayed.

For the unprecedented combination of wood and leather, Marimba is a novelty in the Billiani collection.

Archetype-A is a wooden chair designed by Mario Alessiani that celebrates the company’s origins and know-how. The design is as simple as possible. Nothing more than four legs, a seat and a back.

Cristina Celestino’s soft and enveloping touch exalts Billiani’s materials and know-how with pure colours, corners that turn into delicate curves, and bulbous leg-ends. Variously sized

Harry’s is a collection naturally suited to the outdoors.

The Puccio collection started life based on milking stools, perfectly designless and designer-free seating which, thanks to its functionality, has survived unchanged through the centuries. 

The Cristina Celestino designed Raquette collection pays homage to the ancient technique of intertwining wooden slats.

Amongst Vincent van Gogh’s various paintings, there are a number that feature chairs.

The Edelweiss collection of chairs, stools and lounge chairs is the result of Philippe Bestenheider’s desire to come to terms with wood.

Fratina is inspired by those classic chairs with rush seats.

A solid and reassuring chair with a back that embraces, ending with two decisive cuts inspired by the points of a star. 

 Soft lines and simple geometry describe the contours of the Veretta chair, characterized by the feature ring in curved solid beechwood that surrounds the seat and houses the backrest.

In the Fleuron chair and lounge chair by Constance Guisset the rationality of the design, based on the idea of a buttress that reinforces a wall, meets the softness of a curved line.