Airstrike Sofa

A strikingly eye-catching armchair distinctively shaped by subtle, curved lines. An ultralight structure welcomes the body and encourages elaxation, almost making you feel as if you are floating.

Different rounded shapes and sizes conjure up a highly evocative world of heights and curves. 

Designed by Arch. Giuseppe Viganò - Studio Viganò

Quentin is designed freestyle. Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introflexed areas with other rotundly expanding spaces. 

The Table top is shaped and the edge has many layers; the foot is in chrome-plated metal.

The Giorgio sideboard is a complementary companion for the table. An understated sideboard with clean lines that gradually reveals itself when explored.

The idea behind stylos was to create a soft, comfy armchair that evelops you in a 'hug'.

A sofa with a simple, essential look that conceals a rebellious spirit.

The sofa has a metal frame incorporated within the resilient urethane foam padding, and all-feather cushions for the seating and backrest.

Asymmetric armchair with one arm on either side, or with two arms. Headrest in rigid quilted Alcantara with upholstered cylinder for maxim um comfort is standard.

The base of the Table is in chrome-plated metal and the top is made of round and rectangular wood.

The entire table is designed by a single line, creating a look that feels sculptural yet is easy on the eye. The two central legs continue laterally to become the table top.

The elegantly designed armrest blends seamlessly with the backrest, framing the fabulously unique confluence of vertical streamlined shapes.

Small enveloping armchair with a metal base, upholstered with fabric or leather from our collection.

The idea for the Antelope armchair was inspired by Antelope Canyon, which was formed by the wind and rain eroding the sandstone thousands of years ago.

With its soft petal-shaped back, this armchair is reminiscent of a flower. Each armchair is unique as it is crafted by hand.

Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introf lexed areas with other rotundly expanding spaces.

Design by Studio Ervas Basilico Girardi