Giorgio Table

Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introf lexed areas with other rotundly expanding spaces.

Design by Studio Ervas Basilico Girardi

This upholstered armchair has a soft and sinuous shape, with a swivel base in chrome metal. Upholstered in fabrics or leathers from our range.

The idea for the Antelope armchair was inspired by Antelope Canyon, which was formed by the wind and rain eroding the sandstone thousands of years ago.

The base of the Table is in chrome-plated metal and the top is made of round and rectangular wood.

An enveloping, padded chair with an incorporated seat and back, supported by a chrome-plated metal trestle.

The sinuously shaped metal structure is dressed in a leather cover.

Asymmetric armchair with one arm on either side, or with two arms. Headrest in rigid quilted Alcantara with upholstered cylinder for maxim um comfort is standard.

Different rounded shapes and sizes conjure up a highly evocative world of heights and curves. 

Designed by Arch. Giuseppe Viganò - Studio Viganò

A sofa with a simple, essential look that conceals a rebellious spirit.

The idea for the Antelope sofa was inspired by Antelope Canyon, which was formed by the wind and rain eroding the sandstone thousands of years ago.

This chair exudes grand formal elegance. The metal base seamlessly joins the padded part, lending a sturdy, compact look to the entire chair.

Hugging padded armchair, chrome-metal parts. Covered with fabrics or leather from our collection.

Small enveloping armchair with a metal base, upholstered with fabric or leather from our collection.

This sofa features an extraordinarily comfortable high backrest created by a metal frame that encompasses the sides, back and base of the sofa.

A well-rounded collection: an oval-shaped armrest forms the genesis for the backrest. The soft, eye-catching lines are welcoming and comfortable with an incredibly cosy yet creative look. 

Quentin is designed freestyle. Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introflexed areas with other rotundly expanding spaces.