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Rificolona arrives hanging by a thread, to share a playful and creative spirit embodied by its materials: the shade, crafted mainly from recycled polyethylene, rotates in dialogue with the light, i

Iola vive il design con un approccio internazionale, concentrandosi sull’ergonomia delle forme, mantenendo un aspetto curato e caratterizzante.

It is still Soda, but it wants to get up close and personal: you can extend it by matching pieces together, or create sophisticated compositions by mixing the different shapes.

Rificolona arrives hanging by a thread, to share a playful and creative spirit embodied by its materials: the shade, crafted entirely from recycled polyethylene, rotates in dialogue with the light,

Mila is a table with sharp edges that goes against the grain: echoing the radical design of the 60s, it is pleasingly unique even in its commitment to a single material.

Nebulona has become a sofa and now it’s named Nebulone.

It almost feels like a ritual. Sitting down, with soft light, and pressing play on your smartphone. Then letting vibrations do their thing.

From a sketch on paper to a product and its name: Nami’s name echoes the sinuous inspiration of its base, crafted in bent wood

From a sketch on paper to a product and its name: Nami’s name echoes the sinuous inspiration of its base, crafted in bent wood

Lucerama is a tube light with a difference: dressed in an undulating recycled PE shade, it emits light along its length, creating a rarefied and sophisticated atmosphere.

In Pinto fragments of marble and stone lie beneath a gentle, majestic surface: made using recyclable and reusable cement, a contemporary material that can handle any weather conditions, making it s

Nebula came down from Space to bring us its aesthetic: the two teardrop arms are a key feature of the seat, armchair and lounge chair, each with different types of bases suitable to land anywhere.&

Toblo expresses the physicality of its material through its form: a terracotta cylinder thus becomes a table, perfectly smooth except for its softly dented sides. 

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers.

From a sketch on paper to a product and its name: Nami’s name echoes the sinuous inspiration of its base, crafted in bent wood.

Rificolona arrives hanging by a thread, to share a playful and creative spirit embodied by its materials: the shade, crafted mainly from recycled polyethylene, rotates in dialogue with the light, i