Mila

Soda was born upside-down, with a puff of air. It weighs 20 kilos, and it is blown, drawn out and shaped by three master glassmakers.

It almost feels like a ritual. Sitting down, with soft light, and pressing play on your smartphone. Then letting vibrations do their thing.

The industrial inspiration of the Container sideboard can be accentuated with lacquered colours or tempered by a wood finish, customisable from top to base. Now in the new height of 95cm.

Nebula came down from Space to bring us its aesthetic: the two teardrop arms are a key feature of the seat, armchair and lounge chair, each with different types of bases suitable to land anywhere.&

From a sketch on paper to a product and its name: Nami’s name echoes the sinuous inspiration of its base, crafted in bent wood.

Lucerama is a tube light with a difference: dressed in an undulating recycled PE shade, it emits light along its length, creating a rarefied and sophisticated atmosphere.

It is still Soda, but it wants to get up close and personal: you can extend it by matching pieces together, or create sophisticated compositions by mixing the different shapes.

Iola vive il design con un approccio internazionale, concentrandosi sull’ergonomia delle forme, mantenendo un aspetto curato e caratterizzante.

Striche makes glass delectable, taking on a bright, gummy-like appeal, ideal for bringing light and character to private and public spaces.

Rificolona arrives hanging by a thread, to share a playful and creative spirit embodied by its materials: the shade, crafted mainly from recycled polyethylene, rotates in dialogue with the light, i

Nebulona has become a sofa and now it’s named Nebulone.

Rificolona arrives hanging by a thread, to share a playful and creative spirit embodied by its materials: the shade, crafted entirely from recycled polyethylene, rotates in dialogue with the light,

From a sketch on paper to a product and its name: Nami’s name echoes the sinuous inspiration of its base, crafted in bent wood

Milo is a table with sharp edges that goes against the grain: echoing the radical design of the 60s, it is pleasingly unique even in its commitment to a single material.

Rificolona arrives hanging by a thread, to share a playful and creative spirit embodied by its materials: the shade, crafted mainly from recycled polyethylene, rotates in dialogue with the light, i

Toblo expresses the physicality of its material through its form: a terracotta cylinder thus becomes a table, perfectly smooth except for its softly dented sides.