Giulio Ghirardi and other people’s homes

Giulio Ghirardi

Progetto Mia Dalton - Los Angleles

All it takes is a few objects to understand a room. Have you ever read between the cracks on the walls, in the veins in the parquet?

Giulio Ghirardi Portfolio

Casa della Meridiana - Milano

Giulio Ghirardi Portfolio

Arper - Salone del Mobile

 Giulio Ghirardi Portfolio

Call me by your name interni

Giulio Ghirardi Portfolio
Giulio Ghirardi Portfolio

Finlandia hall - Alvar Aalto

Giulio Ghirardi Portfolio

Cantine Casanova di Neri - Baciocchi Associati

Giulio Ghirardi Portfolio
Giulio Ghirardi Portfolio

Casa della cultura Helsinki - Alvar Aalto

Giulio Ghirardi Portfolio
Giulio Ghirardi Portfolio

Menil drawing institute Houston - Johnston Marklee

Giulio Ghirardi Portfolio

Hannes Peer atelier - Milano

Giulio Ghirardi Portfolio

Progetto Mia Dalton - Los Angleles

Giulio Ghirardi Portfolio

Progetto Mia Dalton - New York

Giulio Ghirardi Portfolio

Fondazione Prada - O.M.A.

Giulio Ghirardi Portfolio
Giulio Ghirardi Portfolio
Giulio Ghirardi Portfolio
Giulio Ghirardi Portfolio

Sanatorio di Paimio - Alvar Aalto

Giulio Ghirardi Portfolio

Säynätsalo - Alvar Aalto

Giulio Ghirardi Portfolio
Giulio Ghirardi Portfolio

Piemonte

Salone del mobile Salone del mobile

Slowly opening a door and finding to one’s amazement a perfectly-brushed velvet sofa, a large wall mirror and an amber light bravely forging its way through the wide curtains.  

Other people’s houses have always been perfect settings for imaginary narrations. Thinking about what might have taken place inside them, reading into wall crevices, peering into bookcases.  

It only takes a few objects to tell a story and Giulio Ghirardi’s photographs slake the thirst of those who travel in their imagination.  

His career began with architecture, at Milan Polytechnic University, following a three-year degree in Strasbourg. His passion for images was kindled much earlier, though, when he left for a trip to the United States with his parents at the age of twelve and brought his first memories home to develop.   

His studies taught him to look at spaces and familiarise himself with materials, but the lengthy waits were a trial for someone who loves seeing quick results. With photography, he discovered the satisfaction of the immediate, an adjective seldom used in the world of buildings.  

29 June 2021