EDELWEISS

The Cristina Celestino designed Raquette collection pays homage to the ancient technique of intertwining wooden slats.

Amongst Vincent van Gogh’s various paintings, there are a number that feature chairs.

A solid and reassuring chair with a back that embraces, ending with two decisive cuts inspired by the points of a star. 

The wooden Doll chair, Emilio Nanni’s first commissioned design for Billiani, expresses essentiality with grace and softness.

Fratina is inspired by those classic chairs with rush seats.

Harry’s is a collection naturally suited to the outdoors.

Billiani opened up to the world of upholstery with a rich collection that includes side, arm and lounge chairs, barstool, sofa, pouf, bench and table.

The Puccio collection started life based on milking stools, perfectly designless and designer-free seating which, thanks to its functionality, has survived unchanged through the centuries. 

Archetype-A is a wooden chair designed by Mario Alessiani that celebrates the company’s origins and know-how. The design is as simple as possible. Nothing more than four legs, a seat and a back.

Flow is a short compendium of the history of the chair – a perfect combination of Italian tradition and the Scandinavian aesthetic of the 1950s and 1960s.

Timènt is Billiani's first fabric collection.

In the Fleuron chair and lounge chair by Constance Guisset the rationality of the design, based on the idea of a buttress that reinforces a wall, meets the softness of a curved line.

Frisée is a collection that combines the solidity of wood with an ironic and joyful frivolity.

 Soft lines and simple geometry describe the contours of the Veretta chair, characterized by the feature ring in curved solid beechwood that surrounds the seat and houses the backrest.

Cristina Celestino designs a lounge collection with soft and harmonious shapes. The rounded volumes are lightened by the worked wood base, Billiani’s stylistic code.