Casablanca

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

arflex, to celebrate the great 52-years success of Marenco model, thought to “move it outside”.

A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

Strips bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

The collection is composed by small tables, available with circular or square tops, with a sturdy steel base contrasted with a soft rounded table edge, and by two service small tables, defined by t