Orfeo

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Strips bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

Generous proportions and a friendly, soft, but still very architectural geometry defines the Tokio sofa collection.

Yuzu is a small - but very comfortable - armchair with a big personality.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.

Papillon applique lamp plays with transparencies, colours and geometric shapes.

Thanks to its comfort, Taboga is also realized as outdoor furniture.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.